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Young Frankenstein: The New Mel Brooks Musical |
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ORIGINAL CAST RECORDING YOUNG FRANKENSTEIN MUSIC AND LYRICS BY MEL BROOKS -- IT'S ALIVE!
From the creators of the record-breaking Broadway sensation The Producers comes this monster new musical comedy, YOUNG FRANKENSTEIN, based on the Oscar-nominated smash-hit 1974 film. A wickedly inspired re-imagining of the Frankenstein legend based on Mel Brooks' classic comedy masterpiece, the story follows bright young Dr. Frankenstein (that's Fronkensteen) as he attempts to complete his grandfather's masterwork and bring a corpse to life. Together with his oddly shaped and endearing helper Igor (that's Eye-gor), his curvaceous lab assistant Inga, and in spite of his incredibly self-involved madcap fiance, Elizabeth, Frankenstein succeeds in creating a monster - but not without scary and quite often hilarious complications.
With such memorable tunes as "The Transylvania Mania," "He Vas My Boyfriend" and "Puttin' On The Ritz," The New MEL BROOKS Musical YOUNG FRANKENSTEIN is scientifically-proven, monstrously good entertainment...and the only place you'll witness a singing and dancing laboratory experiment in the largest tuxedo ever made. YOUNG FRANKENSTEIN features music and lyrics by the three-time Tony AwardŽ winner Mel Brooks, book by Brooks and three-time Tony AwardŽ winner Thomas Meehan, and is directed and choreographed by five-time Tony AwardŽ winner Susan Stroman. The show stars Roger Bart ("Desperate Housewives"), Megan Mullally ("Will and Grace"),Tony-Award winner Sutton Foster ("Drowsy Chaperone"), SCTV's Andrea Martin and Christopher Fitzgerald ("Wicked").
YOUNG FRANKENSTEIN opens at Broadway's Hilton Theater - Friday, November 9th!
Young Frankenstein Photos
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From Amazon.com:
Unlike The Producers, the musical version of Young Frankenstein was not met with critical adoration when it opened on Broadway in November, 2007. Mel Brooks had followed the same formula, transferring all of his own source movie?s famous lines and plot points to the stage, but oddly, the cast album works better than the stage production, which is indeed often lumbering. Brooks? songs are still fairly derivative but here, undistracted by director Susan Stroman?s flat staging, you can focus more on Doug Besterman?s excellent orchestrations and on the adept cast itself. As Dr. "Fronkensteen," Roger Bart is much less grating than on stage, for instance. As Inga, Sutton Foster exhibits some mad yodeling skills in "Roll in the Hay" and sounds like a classic Broadway babe on "Listen to Your Heart." Megan Mullally (Elizabeth) sells "Please Don?t Touch Me," "Deep Love," and "Alone" (a bonus track cut from the show), while Andrea Martin (Frau Blucher) kills with the Brecht-Weill pastiche "He Vas My Boyfriend." And yes, Irving Berlin?s "Puttin' on the Ritz" is included, complete with monster grunts and a long tap passage in this extended version. The show may not be worth the hype, but the recording is a pleasant surprise. --Elisabeth Vincentelli
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Just not that good. -  |
Young Frankenstein: The New Mel Brooks Musical Review |
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Sadly, the Young Frankenstein soundtrack is just not good. If you have seen the movie you will know everything that is going on, but because there is so much physical comedy the soundtrack is only laugh out loud funny if you can watch the movie in your head. The singers are winy, intentionally or not, its not nice to listen too. The lyrics are no where near as clever as The Producers in fact the innuendos are so over done its annoying. The only thing that is slightly enjoyable on the soundtrack is Sutton Foster, but even she can't do much. I was so excited to get the soundtrack but after a couple spins I was greatly disappointed. Of course collectors should get this, and maybe if you've seen the show, get this as a souvenir, but otherwise this is a pass. Favorite song (only because its Foster's Feature): "Listen to Your Heart." |
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Not "The Producers", But Brooks Still Delivers -  |
Young Frankenstein: The New Mel Brooks Musical Review |
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Let me preface this by saying that while I was not disappointed, this was not "The Producers". The vaudevillian shtick assembled from the elements of "Young Frankenstein" invite comparisons to Brooks' other show all too well. Musical stylings, song purpose/placement, and gags in "Young Frankenstein" can all find a comparable correlation to corresponding components of the book and score of "The Producers", with the latter winning out in every instance. Now, after saying all that, I still do heartily recommend "Young Frankenstein". In fact, I'm bewildered by the critical dismissal of it, and wonder what show the critics instead had seen. The score as captured on this album genuinely reflects the tone and musical delight that can be heard at the Hilton Theatre. Gloriously old-fashioned Broadway classics in the style of Cole Porter, Rodgers & Hammerstein, Jerry Herman, Frank Loesser, and Jule Styne (with a touch of high-drama operetta and Kurt Weill) roll effortlessly from track to track in a cohesive and tuneful pastiche. Melodically hummable, lyrically serviceable and witty, Mel has offered his well-known and loved brand of bawdy, bouncy, bright, catchy, colorful, and downright brilliant. I defy you not to give the likes of "Please Don't Touch Me", "Roll in the Hay", "Join the Family Business", or "Deep Love" a second listen. And such production numbers abound with a nonstop fount of talent to support them. There's no need to highlight one original cast member here, as they all range from adequate to superb in a surprising array of textural diversity. And the lush 24-piece orchestra is so intricately weaved into such a rich harmonic web by the marvelous Doug Besterman that you almost feel dizzy and giddy with an energetic rush of excitement. And while I could go on further, there's no point. If you read this, disprove what all the naysayers and detractors want to prevent you from knowing. Obviously, it is a matter of musical taste first and foremost. Don't expect a contemporary rock/pop/Latin-tinged score ala "Spring Awakening" or "In the Heights". But, if you care to indulge in a taste of what Broadway was like during its peak Golden Age, this album is a must, quite simply. But, again, let me remind you that this is not "The Producers", which stands as the only other album capable of evoking a retro feel of 50's-era Broadway standards in modern times. Mel came pretty damn close though, so do yourself a favor and savor it: "Music that soothes the soul when words are useless." |
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Pleasantly Surprised - |
Young Frankenstein: The New Mel Brooks Musical Review |
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Being a fan of THE PRODUCERS I was excited when this show first was announced, and then dismayed by the so-so reviews it received on Broadway. Still, having heard a couple of tracks off of the cast recording and loving them, I purchased the YOUNG FRANKENSTEIN cd, and thoroughly enjoyed the entire score. Sure, the critics had it in for Mel Brooks and panned his project, but the score and the cast are all top notch. Definitely not Sondheim, but if you love music along the lines of Irving Berlin, you will not be disappointed in this recording. |
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It put me right back on Broadway! - |
Young Frankenstein: The New Mel Brooks Musical Review |
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My kids and I saw this play on Broadway last month. I bought the CD (which was significantly cheaper at amazon than at the theatre!) to sort of help keep the memories alive. I figured we spent a fortune on the tickets, what was a few more bucks for a memento? The CD works perfectly! It puts me right back in my seat on Broadway to experience the play all over again. The recording is clear and full. The characterizations of all the actors come through very well. |
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Another Score for Mel - |
Young Frankenstein: The New Mel Brooks Musical Review |
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Don't believe what you read in the New York Times, especially those caustic reviews by Ben Brantley. He needs to go! Get Clive Barnes back! "Young Frankenstein" is a wonderful, hilarious romp parodying the musicals of Cole Porter and Friml and Youmans. It takes you back to when musicals were fun and frolicsome. There are great performances from everyone. Only Roger Bart doesn't match the mayhem and I think that is more of a directorial matter. I would love to see someone like Bill Irwin or even Robin Williams takeover the role.
The audience simply adored the show when I saw it. And the CD is well worth the price. If you're in New York take in "YF" and another Brantley reject "A Catered Affair." Take a pass on "In the Heights" which is over-hyped and a Latino rip-off of "Rent" and "West Side Story." I just heard that "In the Heights" has already recalled all future discount tickets even though they were purchased before the show won the Tony. I guess the inhabitants of the Heights won't get to see their own story now. |
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